RONALD PHILLIPS AT SPRING MASTERS NEW YORK
THE RONALD PHILLIPS BOOTH AT SPRING MASTERS
The second edition of Spring Masters New York was held at the historic Park Avenue Armory. Helmed by Michael Plummer and Jeff Rabin of Artvest Partners, Spring Masters presented a selection of art and design from antiquity through the 21st century in a contemporary context, marking a significant evolution of the fair model . According to Plummer, “The scene in New York in May had become rather sleepy and was not living up to the standard of more innovative fair events that had developed in London, Paris, Miami, Basel and Maastricht. In terms of the spring fair calendar, New York had fallen behind, until Frieze appeared. But Frieze only served the most contemporary sector of the market, which left a wide opening for Spring Masters.”
SIMON PHILLIPS AT SPRING MASTERS
Thus the fair included a wide range of historical periods, design and decorative arts, and a booth- kind of like a model living room- created by Jamie Drake and Drake Design Associates, whose clients have included Madonna. The hexagonal, honeycomb booth layout was designed by the architect Rafael Vinoly. According to Simon Phillips “The hexagonal layout makes it more difficult to design, but its less boring and much more interesting.” Plummer adds, “While it makes great sense to combine art and design from different periods, it also brings with it the challenge of getting it to fit together in a cohesive way in a residential environment. A designer is the best resource to help with this challenge.”
ONE OF A PAIR OF THE ST GILES HOUSE COMMODES ON THE RONALD PHILLIPS BOOTH
This year’s nonprofit booth, Project Art, provides art classes to elementary schoolchildren affected by budget cuts to art education. Funding their project- a modest $20 buys a paintbrush that will hang on the booth’s wall- could help nurture the next generation of artists.
The NSPCC Joins Masterpiece London As The 2015 Charity Partner
Masterpiece London, the leading international cross-collecting fair for art, antiques and design, returns to The Royal Hospital Chelsea in 2015. Running from 25 June – 1 July, the Fair has become a must-attend event at the heart of the capital’s busy summer art and auction season. Offering for sale museum-quality works with superb provenance and over 150 leading galleries worldwide, Masterpiece provides a huge opportunity to buy the best pieces available across multiple disciplines in the current market. Significant additions to this year’s fair include, London’s renowned fine art gallery Richard Green (UK), Parisian decorative arts dealer, Kraemer Gallery (France), Van Cleef & Arpels (France) and Nilufar (Italy).
An illustration of play therapy, pioneered by the NSPCC. Child is a model. Image credit Tom Hull.
Masterpiece London is delighted to announce its partnership with the UK’s leading children’s charity, the NSPCC, ahead of this year’s Masterpiece Fair. The NSPCC is leading the fight against child abuse in the UK. The Art Gala will be held on Tuesday 30th June, a glamorous evening including a silent auction, live entertainment, champagne and canapés. Tickets are available at £100 per person –please visit www.masterpiecefair.com to purchase your ticket now. Since 2010, the charity party held during Masterpiece London has raised more than £2.6 million for good causes.
A REGENCY CONVEX MIRROR, CIRCA 1805
TEFAF Maastricht will be taking place from 13th-22nd March, presenting 275 of the world's leading galleries from 20 countries, the fair is an event not to be missed by collectors and museum representatives. TEFAF Maastricht is a continuously evolving showcase for the best works of art currently on the market. In addition to the traditional areas of Old Master Paintings and antique Works of Art, you can see and buy at TEFAF Maastricht a wide variety of Classical Modern and Contemporary Art, Photographs, as well as Jewellery, 20th Century Design and Works on Paper.
Our Regency convex mirror will be displayed on Koopman Rare Art London's Stand at TEFAF. The mirror retains it's original plate and is of a wonderful design surmounted by a finely carved eagle with acanthus leaf carved sides.
TEFAF is now perhaps the most businesslike of the major international fairs, a reputation due in part to the eponymous art market report it publishes annually. Commissioned from Clare McAndrew of the research firm Arts Economics, the TEFAF Report is one of the industry's most comprehensive pieces of market research, from contemporary art to antiques.
Below are some key findings from the 2015 report:
- The global art market reached a total of over €51 billion in 2014, an increase of 7 percent over 2013, and the highest level ever recorded.
- The distribution of sales by value in the global art market was dominated by the three major art markets: the US (39 percent); China (22 percent); and the UK (also 22 percent).
- Approximately 1,530 lots were sold at auction for over €1 million in 2014 (this includes 96 lots for more than €10 million), up nearly 17 percent from 2013.
- The dealer sector (including dealer and gallery sales and private sales within the art trade) was estimated to account for around 52 percent of the global art and antiques market by value, or some €26.4 billion in 2014.
- In 2014 Postwar and contemporary art was the largest sector of the fine art market, representing 48 percent of all fine art sales by value. Auction sales of Postwar and contemporary art reached €5.9 billion, up 19 percent on 2013 and the highest total ever recorded.
- The US was the key center worldwide for sales of Postwar and contemporary art with a share of 46 percent of the market by value.
- Sales of Modern art were the second largest, accounting for 28 percent of the global fine art auction market with auction sales of €3.3 billion.
- In 2014, there were 180 major art fairs with an international element, covering fine and decorative art. The top 22 fairs generated visitors in excess of 1 million.
- Sales made at fairs accounted for a reported 40 percent of all dealer sales in 2014 or an estimated €9.8 billion (the second largest sales channel after in-gallery transactions).
- In 2014, sales of art online were estimated conservatively to have reached €3.3 billion, or around six percent of global art and antiques sales by value.
- The middle market has been the focal point for online selling with the majority of sales taking place between about $1,000 and $50,000.
- Art fairs were again the second largest item of expenditure at €2.3 billion or 19 percent of the total despite only being incurred by dealers.
THE INTERNATIONAL FINE ART AND ANTIQUES SHOW 2014
The International Fine Art and Antiques show opened its
doors last night, bringing together more than 65 dealers from around the world
at the Park Avenue Armory. In spectacularly designed booths, dealers present an
array of paintings, sculptures, rugs, ceramics, timepieces, arms and armor,
jewelry and furniture dating from thousands of years ago to the mid 20th
century and deriving from a host of cultures and civilizations, from ancient
Egypt to modern New York City. Going to the fair is like visiting a great,
eccentric museum abounding in wonders and curiosities but organized according
to no discernibly rational plan.
Founded in 1989, IFAAS was New York’s first expert-vetted antiques fair and continues to be a magnet for top-flight dealers and seen by American collectors as a whirlwind tour round Europe's most discriminating curiosity shops.
New booths this year include: Robbig Munich, one of the world’s leading dealers in Meissen porcelain; Véronique Bamps of Monaco specialising in 19th-century to 1950s jewellery; and Manhattan-based traders Ancient Art of the New World Inc – their stand-out piece being a Teotihuacan pale greenstone mask from Mexico, circa 300 to 600 AD.
The Park Avenue Armory
643 Park Avenue at 67th Street
Less is More
and metamorphic furniture plus the
chair in which Emily Brontë died steal the show at Ronald Phillips’ attic sale.
Since taking the reins of his family's gallery, London antiques dealer Simon Phillips has expanded the inventory to include rare, impeccably sourced 18th and 19th century English wares, helped launch a glamorous art and antiques fair - this week's Masterpiece London - and cultivated a loyal following of sophisticated collectors.
Masterpiece London 2014
Masterpiece London 2014, has returned to the world’s capital of culture in June 2014 to celebrate its 5th anniversary. With 158 selected and internationally renowned galleries, visitors can see historic paintings, Renaissance sculpture, furniture by the prodigious makers jostling for attention with 21st century pieces; pictures by Warhol and Magritte, life-size horse sculptures by Nic Frddian-Green, breath taking jewels by Cartier and collections of medieval armour.
View the Virtual Tour
Masterpiece London is often compared to Maastricht, and
this year strong sales and highest visitors rate to date have been reported.
Collectors, curators and designers are drawn here for the astonishing diversity
of material with over 7,000 visitors crossing the threshold of the stunning
fair in the South Grounds of the Royal Hospital Chelsea, an increase of over
17% on last year. Visitors are also free to attend lectures, talks and debates
surrounding art and the art market, whilst the fair also features world-class
restaurants including, Scott’s, Le Caprice and The Ivy.
The Masterpiece Marie Curie Party will take place on
Monday 30th June, the second year that the charity has been the
beneficiary. In 2013 the Midsummer Party, chaired by Heather Kerzner, raised a
record of £840,000.00.
Highlights on the Ronald Phillips stand include,
A GEORGE III MAHOGANY DESK ARMCHAIR ATTRIBUTED TO THOMAS
CHIPPENDALE TO THOMAS CHIPPENDALE
The Chippendale provenance for this chair is almost
certain. It bears all the features of the top London maker and compares in
design to the well documented suite of seat furniture at Dumfries House,
Scotland. The unusually small size adds to the rarity and makes it the perfect
desk chair. An unpublished drawing by Chippendale in the Metropolitan Museum of
Art in New York relates in some detail to this chair and the suite at Dumfries.
However there are slight variations to the drawn design. Chippendale always
adapted his designs to suit the client and his work rarely follows a drawing in
every little detail.
THE PERCIVAL D. GRIFFITHS OVERMANTEL MIRROR
An exceptionally rare and important late 17th century
overmantel mirror by William German, having a central arched and bevelled
mirror plate and shaped and bevelled side plates with cut decoration within a
conformingly shaped band of facet bevelled border plates and framed by a
moulded giltwood border with acanthus and flower head carving.
Note: The original backboards with chalk inscription 'W.
RONALD PHILLIPS MAKING ROOM AT CHRISTIE'S SOUTH KENSINGTON
Ronald Phillips are proud to announce ‘Making Room’ at Christie’s. Ronald Phillips have recently moved warehouse and are making room for new items in the warehouse and gallery. The sale will offer a selection of furniture and objets d’art of over 300 lots that embody Simon Phillips’ exceptional expertise. Highlights include a pair of Regency mahogany caned library bergeres, early 19th century (£10,000-£15,000), and a George II mahogany side table, circa 1750 (£8,000-£12,000), as well as a wide range of affordable, decorative and unrestored pieces.
2 July 2014, 10.30 am
28 June- 1 July
85 Old Brompton Road
London, SW7 3LD
RONALD PHILLIPS JOIN 1STDIBS
those who appreciate the finest antiques, provenance is absolutely key. Nothing
underscores the importance of a piece more than having both an important maker
and an exceptional provenance. Ronald Phillips tends to focus on pieces that
enjoy both, which is why 1stdibs serves as the perfect platform to display our
pieces. Driven by a philosophy that incorporates the best of the best from
around the world and a deep respect for the highest quality exhibits across an
assortment of disciplines for the discerning art and antiques shoppers.
clients are busy people, living and working on five continents and operating in
countless time zones. Today, to do business in the most accessible way we have
to use every piece of technology available to us. Our clients, wherever they
are, want all the information on provenance, background and condition of each
piece under consideration quickly in order to make an informed decision. It’s
the modern way of doing business and we want to be as accessible as possible.
Below are some highlights currently displayed on 1stdibs.
A GEORGE III WHITE PAINTED MIRROR , ENGLISH, CIRCA 1765 Read More
A VICTORIAN MAHOGANY KIDNEY SHAPED DESK, BY GILLOWS OF LANCASTER, ENGLISH, CIRCA 1860 Read More